Madrid, Spain 2024
(A 6-meter tall sculpture, hand-knitted from steel wire.)
At Teatros del Canal
With Nessa Ellen Ryan
Photo by Lourdes Cabrera
A reflection of the moon, a cloud, vapor, dew, ripples in the water, and the lake: a reference in space.
For two months, the same movement is repeated over and over, perfecting itself with the same rigor as classical ballet techniques.
"One of the conflicts hinted at in the trajectories of the artists involved in this creation, and which also spills over into the acto blanco (white act), is the sacrifice of innocence or its eternalization at the cost of life. From the context of fantasy and darkness provided by the second act of classical ballet, and with a certain notion of a second chapter in the lives of these performers, this creation seeks to become an exploration of each artist's altered identity. It imprints a poetic and necessarily never-conclusive exploration onto a documentary and autobiographical narrative, delving into the place where classical dance resides within them."
Direction and choreography: Mar Aguiló
Performers: Ariane Servagent, Chantel Foo and Samba Injai
Musical composition: Aire and Miguel Álvarez-Fernández
Lighting design: Víctor Colmenero
Scenography: Elena Rocabert
Sculpture: Elena Rocabert and Nessa Ellen Ryan
Costume design: Andrea Pimentel
Dramaturgy: Miguel Álvarez-Fernández
Artistic accompaniment: María Jerez
Cinematography and photography: Lourdes Cabrera
Production: Mar López and Clara Pampyn








Madrid, Spain 2024
(A 6-meter tall sculpture, hand-knitted from steel wire.)
At Teatros del Canal
With Nessa Ellen Ryan
Photo by Lourdes Cabrera
A reflection of the moon, a cloud, vapor, dew, ripples in the water, and the lake: a reference in space.
For two months, the same movement is repeated over and over, perfecting itself with the same rigor as classical ballet techniques.
"One of the conflicts hinted at in the trajectories of the artists involved in this creation, and which also spills over into the acto blanco (white act), is the sacrifice of innocence or its eternalization at the cost of life. From the context of fantasy and darkness provided by the second act of classical ballet, and with a certain notion of a second chapter in the lives of these performers, this creation seeks to become an exploration of each artist's altered identity. It imprints a poetic and necessarily never-conclusive exploration onto a documentary and autobiographical narrative, delving into the place where classical dance resides within them."
Direction and choreography: Mar Aguiló
Performers: Ariane Servagent, Chantel Foo and Samba Injai
Musical composition: Aire and Miguel Álvarez-Fernández
Lighting design: Víctor Colmenero
Scenography: Elena Rocabert
Sculpture: Elena Rocabert and Nessa Ellen Ryan
Costume design: Andrea Pimentel
Dramaturgy: Miguel Álvarez-Fernández
Artistic accompaniment: María Jerez
Cinematography and photography: Lourdes Cabrera
Production: Mar López and Clara Pampyn








Madrid, Spain
All rights reserved, 2024.
Curriculum Vitae Uppon Request
E-mail elenarocabert@gmail.com
Elena Rocabert (Madrid) practices at the intersection of art and architecture. Her work, which takes form in painting, sculptural production and spatial intervention, centers on material experimentation to explore speculative fictions and cycles of transformation—rebirth, decay, and the tension between destruction and creation. Fiction, often tinged with dystopian undertones, serves as a critical tool in her practice, opening speculative paths for research and reflection. Rocabert’s work is grounded in a deep engagement with social ecologies and material experimentation, aiming to expose the unseen structures and layers embedded within space.
She holds a degree in Architecture from the Polytechnic University of Madrid (ETSAM) and the Technische Universität Berlin (TU Berlin). From 2021 to 2024, she was part of the curatorial team at Medialab in Matadero Madrid, the artistic research labs LAB#01 Sentient Media, LAB#02 The Metabolic Sublime, and LAB#03 Synthetic Minds, exploring themes such as artificial intelligence, urban metabolism, and synthetic ecologies through contemporary art. In 2024, she collaborated with TBA21–Thyssen-Bornemisza Art Contemporary and the Museum of Altamira on an artistic research project focused on non-human temporalities and cultural landscapes.
She currently teaches in the “Experimentation” module of the Master’s in Textile Design and New Materials at IED Madrid, as well as in the course “Spatial Design.” Additionally, she serves as a guest juror in the course “Design, Analysis and Ideation” (DAI) at ETSAM.
She has completed artist residencies at Never At Home (Funkhaus, Vienna), GlogauAIR (Berlin), Pluto (Valencia), and Organismo (TBA21, Madrid). Her work has been exhibited at venues such as Funkhaus Vienna, Teatros del Canal, Madrid Design Festival, Mayrit Biennial, Sala de Arte Joven of the Community of Madrid, GlogauAIR Berlin, Casabanchel and Madrid Fashion Week, among others.
In recognition of her practice, Rocabert was the winner of the first edition of the AD Creators Awards in 2024 and was a finalist in the COAM Awards 2025 in the category of ephemeral architecture
Madrid, Spain
All rights reserved, 2024.
Curriculum Vitae Uppon Request
E-mail elenarocabert@gmail.com
Elena Rocabert (Madrid) practices at the intersection of art and architecture. Her work, which takes form in painting, sculptural production and spatial intervention, centers on material experimentation to explore speculative fictions and cycles of transformation—rebirth, decay, and the tension between destruction and creation. Fiction, often tinged with dystopian undertones, serves as a critical tool in her practice, opening speculative paths for research and reflection. Rocabert’s work is grounded in a deep engagement with social ecologies and material experimentation, aiming to expose the unseen structures and layers embedded within space.
She holds a degree in Architecture from the Polytechnic University of Madrid (ETSAM) and the Technische Universität Berlin (TU Berlin). From 2021 to 2024, she was part of the curatorial team at Medialab in Matadero Madrid, the artistic research labs LAB#01 Sentient Media, LAB#02 The Metabolic Sublime, and LAB#03 Synthetic Minds, exploring themes such as artificial intelligence, urban metabolism, and synthetic ecologies through contemporary art. In 2024, she collaborated with TBA21–Thyssen-Bornemisza Art Contemporary and the Museum of Altamira on an artistic research project focused on non-human temporalities and cultural landscapes.
She currently teaches in the “Experimentation” module of the Master’s in Textile Design and New Materials at IED Madrid, as well as in the course “Spatial Design.” Additionally, she serves as a guest juror in the course “Design, Analysis and Ideation” (DAI) at ETSAM.
She has completed artist residencies at Never At Home (Funkhaus, Vienna), GlogauAIR (Berlin), Pluto (Valencia), and Organismo (TBA21, Madrid). Her work has been exhibited at venues such as Funkhaus Vienna, Teatros del Canal, Madrid Design Festival, Mayrit Biennial, Sala de Arte Joven of the Community of Madrid, GlogauAIR Berlin, Casabanchel and Madrid Fashion Week, among others.
In recognition of her practice, Rocabert was the winner of the first edition of the AD Creators Awards in 2024 and was a finalist in the COAM Awards 2025 in the category of ephemeral architecture