Madrid, Spain 2025
in collaboration with Raquel Buj
Sound design Luis Lecea
Madrid Design Festival
Photo by Asier Rua
Room 1.2 of the ILE, with its white walls and rounded shapes, reminds us of a laboratory. Light from the exterior garden filters through the metallic branches of the façade. It inspires us to think about all the processes and exchanges happening underground—a natural laboratory beyond human control. Can we slip through a hole that takes us beneath the garden?
The proposal invites us to shed our human skin and traverse the room through a tunnel made of mycelium skin. Mycelium weaves an invisible network beneath the garden, creating symbiotic relationships between fungi, trees, plants, insects, and bacteria. The installation offers a material, luminous, and sonic experience shaped by invisible processes of growth and transformation.
The mycelium skin makes sounds as it dries and contracts; when it receives water, it expands again, growing and regenerating within the space itself—a delicate yet vast network that connects life within natural ecosystems.
The proposal draws inspiration from aerial mycelium, which develops in growth patterns similar to branches and roots, spreading above its substrate to create a soft, light, and fragile fabric. Entering the space means wandering through that fragility—a place of evolving textures, a space for becoming aware of the vulnerability of the environment we inhabit and of which we are a part.
Beyond enveloping us, the mycelium also acts as a connector of territories through sound. The installation incorporates a sound composition featuring field recordings captured with geophones in the substrate of the Amsterdamse Bos, an artificial forest on the outskirts of Amsterdam. This subacoustic world emerges in the room through floor and oculus vibrations, transforming the piece into a space for listening, where sound—spreading across surfaces—invites us to perceive with our whole body what usually remains beyond hearing.
Materials: Mycelium, natural substrate, cotton fabric, metal structure, multichannel audio, tactile transducers, power amplifier.










Madrid, Spain 2025
in collaboration with Raquel Buj
Sound design Luis Lecea
Madrid Design Festival
Photo by Asier Rua
Room 1.2 of the ILE, with its white walls and rounded shapes, reminds us of a laboratory. Light from the exterior garden filters through the metallic branches of the façade. It inspires us to think about all the processes and exchanges happening underground—a natural laboratory beyond human control. Can we slip through a hole that takes us beneath the garden?
The proposal invites us to shed our human skin and traverse the room through a tunnel made of mycelium skin. Mycelium weaves an invisible network beneath the garden, creating symbiotic relationships between fungi, trees, plants, insects, and bacteria. The installation offers a material, luminous, and sonic experience shaped by invisible processes of growth and transformation.
The mycelium skin makes sounds as it dries and contracts; when it receives water, it expands again, growing and regenerating within the space itself—a delicate yet vast network that connects life within natural ecosystems.
The proposal draws inspiration from aerial mycelium, which develops in growth patterns similar to branches and roots, spreading above its substrate to create a soft, light, and fragile fabric. Entering the space means wandering through that fragility—a place of evolving textures, a space for becoming aware of the vulnerability of the environment we inhabit and of which we are a part.
Beyond enveloping us, the mycelium also acts as a connector of territories through sound. The installation incorporates a sound composition featuring field recordings captured with geophones in the substrate of the Amsterdamse Bos, an artificial forest on the outskirts of Amsterdam. This subacoustic world emerges in the room through floor and oculus vibrations, transforming the piece into a space for listening, where sound—spreading across surfaces—invites us to perceive with our whole body what usually remains beyond hearing.
Materials: Mycelium, natural substrate, cotton fabric, metal structure, multichannel audio, tactile transducers, power amplifier.










Madrid, Spain
All rights reserved, 2024.
Curriculum Vitae Uppon Request
E-mail elenarocabert@gmail.com
Elena Rocabert (Madrid) practices at the intersection of art and architecture. Her work, which takes form in painting, sculptural production and spatial intervention, centers on material experimentation to explore speculative fictions and cycles of transformation—rebirth, decay, and the tension between destruction and creation. Fiction, often tinged with dystopian undertones, serves as a critical tool in her practice, opening speculative paths for research and reflection. Rocabert’s work is grounded in a deep engagement with social ecologies and material experimentation, aiming to expose the unseen structures and layers embedded within space.
She holds a degree in Architecture from the Polytechnic University of Madrid (ETSAM) and the Technische Universität Berlin (TU Berlin). From 2021 to 2024, she was part of the curatorial team at Medialab in Matadero Madrid, the artistic research labs LAB#01 Sentient Media, LAB#02 The Metabolic Sublime, and LAB#03 Synthetic Minds, exploring themes such as artificial intelligence, urban metabolism, and synthetic ecologies through contemporary art. In 2024, she collaborated with TBA21–Thyssen-Bornemisza Art Contemporary and the Museum of Altamira on an artistic research project focused on non-human temporalities and cultural landscapes.
She currently teaches in the “Experimentation” module of the Master’s in Textile Design and New Materials at IED Madrid, as well as in the course “Spatial Design.” Additionally, she serves as a guest juror in the course “Design, Analysis and Ideation” (DAI) at ETSAM.
She has completed artist residencies at Never At Home (Funkhaus, Vienna), GlogauAIR (Berlin), Pluto (Valencia), and Organismo (TBA21, Madrid). Her work has been exhibited at venues such as Funkhaus Vienna, Teatros del Canal, Madrid Design Festival, Mayrit Biennial, Sala de Arte Joven of the Community of Madrid, GlogauAIR Berlin, Casabanchel and Madrid Fashion Week, among others.
In recognition of her practice, Rocabert was the winner of the first edition of the AD Creators Awards in 2024 and was a finalist in the COAM Awards 2025 in the category of ephemeral architecture
Madrid, Spain
All rights reserved, 2024.
Curriculum Vitae Uppon Request
E-mail elenarocabert@gmail.com
Elena Rocabert (Madrid) practices at the intersection of art and architecture. Her work, which takes form in painting, sculptural production and spatial intervention, centers on material experimentation to explore speculative fictions and cycles of transformation—rebirth, decay, and the tension between destruction and creation. Fiction, often tinged with dystopian undertones, serves as a critical tool in her practice, opening speculative paths for research and reflection. Rocabert’s work is grounded in a deep engagement with social ecologies and material experimentation, aiming to expose the unseen structures and layers embedded within space.
She holds a degree in Architecture from the Polytechnic University of Madrid (ETSAM) and the Technische Universität Berlin (TU Berlin). From 2021 to 2024, she was part of the curatorial team at Medialab in Matadero Madrid, the artistic research labs LAB#01 Sentient Media, LAB#02 The Metabolic Sublime, and LAB#03 Synthetic Minds, exploring themes such as artificial intelligence, urban metabolism, and synthetic ecologies through contemporary art. In 2024, she collaborated with TBA21–Thyssen-Bornemisza Art Contemporary and the Museum of Altamira on an artistic research project focused on non-human temporalities and cultural landscapes.
She currently teaches in the “Experimentation” module of the Master’s in Textile Design and New Materials at IED Madrid, as well as in the course “Spatial Design.” Additionally, she serves as a guest juror in the course “Design, Analysis and Ideation” (DAI) at ETSAM.
She has completed artist residencies at Never At Home (Funkhaus, Vienna), GlogauAIR (Berlin), Pluto (Valencia), and Organismo (TBA21, Madrid). Her work has been exhibited at venues such as Funkhaus Vienna, Teatros del Canal, Madrid Design Festival, Mayrit Biennial, Sala de Arte Joven of the Community of Madrid, GlogauAIR Berlin, Casabanchel and Madrid Fashion Week, among others.
In recognition of her practice, Rocabert was the winner of the first edition of the AD Creators Awards in 2024 and was a finalist in the COAM Awards 2025 in the category of ephemeral architecture