Madrid, Spain 2019
(Microorganic skin cultivated by Elena and Marta)
Exhibited at Universidad Politécnica de Madrid (ETSAM), 2018; Casa Antillón, 2019; Casabanchel, 2019
With Marta Ochoa
Photo by Daniel Jordán Pompa
Metallic piece by Begoña Escudero
Nude started as a research project by Marta Ochoa and Elena Rocabert about potential sustainable materials. The material is generated through the fermentation of kombucha. This process of fermentation generates a gelatinous layer that floats on the surface (SCOBY) and that after a few months of cultivation, is sewn and turned into a new skin. Nude is a process whose only meaning is experimentation. It is materialized as a barrier, as a limit, a connection or a bridge that links you with the universe and it supports an attitude. It is a physical, immodest and shameless threshold that striates, tears up, feels and suffers. While it covers and surrounds you, grows old and wrinkles like our own skin, changes its texture, color, weight and smell. It follows no other trend than the passage of time. Nude lacks size and a specific form. It is formed after the completion of a unique fermentation process and dies by decomposition. While the skin suffers and deteriorates over the years, the being is years, the being is forged on the basis of experiences and emotions that leave the skin with the scars of what it has experienced, the tissue is oxidised by micro-organisms in contact with aluminium. On the other hand, this metal retains its purity throughout the entire process without corroding. Clean and pure.
Madrid, Spain 2019
(Microorganic skin cultivated by Elena and Marta)
Exhibited at Universidad Politécnica de Madrid (ETSAM), 2018; Casa Antillón, 2019; Casabanchel, 2019
With Marta Ochoa
Photo by Daniel Jordán Pompa
Metallic piece by Begoña Escudero
Nude started as a research project by Marta Ochoa and Elena Rocabert about potential sustainable materials. The material is generated through the fermentation of kombucha. This process of fermentation generates a gelatinous layer that floats on the surface (SCOBY) and that after a few months of cultivation, is sewn and turned into a new skin. Nude is a process whose only meaning is experimentation. It is materialized as a barrier, as a limit, a connection or a bridge that links you with the universe and it supports an attitude. It is a physical, immodest and shameless threshold that striates, tears up, feels and suffers. While it covers and surrounds you, grows old and wrinkles like our own skin, changes its texture, color, weight and smell. It follows no other trend than the passage of time. Nude lacks size and a specific form. It is formed after the completion of a unique fermentation process and dies by decomposition. While the skin suffers and deteriorates over the years, the being is years, the being is forged on the basis of experiences and emotions that leave the skin with the scars of what it has experienced, the tissue is oxidised by micro-organisms in contact with aluminium. On the other hand, this metal retains its purity throughout the entire process without corroding. Clean and pure.
Madrid, Spain
All rights reserved, 2024.
Curriculum Vitae Uppon Request
E-mail elenarocabert@gmail.com
Elena Rocabert (Madrid) operates at the crossroads of art and architecture. Her recent work focuses on sculptural production and scenography, employing these mediums to weave narratives and processes around cycles, rebirth, and the paradoxes of destruction and creation. In her creations, Rocabert employs fiction with a vision leaning toward the dystopian and post-natural, as a critique of contemporary society. She is particularly captivated by the interplay of social ecologies and material exploration, dedicated to revealing the invisible elements within all narratives.
Currently, she is developing an artistic research initiative in collaboration with Thyssen Bornemissa TBA21 and the Altamira Museum and Research Center. Intrigued by the profound temporal dimensions embo-died within this nature-cultural nexus, probing beyond human-centric viewpoints to embrace more-than-human perspectives.
She is also a lecturer for the Experimentation module in the Master's program in Textile Design and New Materials at IED.
Rocabert completed her studies in architecture at the Polytechnic University of Madrid (ETSAM) in 2019. She collaborated with art studios in Berlin such as Tomás Saraceno in 2017 for the exhibition On Air at Palais de Tokyo and spent two years as part of the design and art production team for Olafur Eliasson, working on exhibitions like Symbiotic Seeing at Kunsthaus Zurich and Sometimes the River is the Bridge at the Museum of Contemporary Art Tokyo.
Between 2021 and 2024, she was part of the curatorial team at Matadero Madrid.
Madrid, Spain
All rights reserved, 2024.
Curriculum Vitae Uppon Request
E-mail elenarocabert@gmail.com
Elena Rocabert (Madrid) operates at the crossroads of art and architecture. Her recent work focuses on sculptural production and scenography, employing these mediums to weave narratives and processes around cycles, rebirth, and the paradoxes of destruction and creation. In her creations, Rocabert employs fiction with a vision leaning toward the dystopian and post-natural, as a critique of contemporary society. She is particularly captivated by the interplay of social ecologies and material exploration, dedicated to revealing the invisible elements within all narratives.
Currently, she is developing an artistic research initiative in collaboration with Thyssen Bornemissa TBA21 and the Altamira Museum and Research Center. Intrigued by the profound temporal dimensions embo-died within this nature-cultural nexus, probing beyond human-centric viewpoints to embrace more-than-human perspectives.
She is also a lecturer for the Experimentation module in the Master's program in Textile Design and New Materials at IED.
Rocabert completed her studies in architecture at the Polytechnic University of Madrid (ETSAM) in 2019. She collaborated with art studios in Berlin such as Tomás Saraceno in 2017 for the exhibition On Air at Palais de Tokyo and spent two years as part of the design and art production team for Olafur Eliasson, working on exhibitions like Symbiotic Seeing at Kunsthaus Zurich and Sometimes the River is the Bridge at the Museum of Contemporary Art Tokyo.
Between 2021 and 2024, she was part of the curatorial team at Matadero Madrid.