Madrid, Spain 2024
(50kg recycled aluminium)
0,9x4x10m
For EvadeHouse, MBFW Madrid
Photo by Rebeca Sayago
The piece embodies the paradoxes of destruction and creation, desolation and shelter. Cast from 50 kilograms of recycled aluminum, this piece unfolds as a metal topography, where the surface mimics an alien landscape, both inviting and forbidding. It evokes lava, flowing and freezing in time to create a terrain that is at once a testament to fluidity and permanence. The choice of aluminum, a material born from the earth, then discarded only to be reborn in fire, speaks to cycles of consumption and rebirth. This landscape is not benign. It whispers tales of toxic infertility, of lands scarred by human touch, yet it also holds spaces of refuge— caves and crevices that offer shelter in the midst of desolation.






Madrid, Spain 2024
(50kg recycled aluminium)
0,9x4x10m
For EvadeHouse, MBFW Madrid
Photo by Rebeca Sayago
The piece embodies the paradoxes of destruction and creation, desolation and shelter. Cast from 50 kilograms of recycled aluminum, this piece unfolds as a metal topography, where the surface mimics an alien landscape, both inviting and forbidding. It evokes lava, flowing and freezing in time to create a terrain that is at once a testament to fluidity and permanence. The choice of aluminum, a material born from the earth, then discarded only to be reborn in fire, speaks to cycles of consumption and rebirth. This landscape is not benign. It whispers tales of toxic infertility, of lands scarred by human touch, yet it also holds spaces of refuge— caves and crevices that offer shelter in the midst of desolation.






Madrid, Spain
All rights reserved, 2024.
Curriculum Vitae Uppon Request
E-mail elenarocabert@gmail.com
Elena Rocabert practices at the intersection of art and architecture. Her work, which takes form in sculptural production and spatial intervention, centers on material experimentation to explore speculative fictions and cycles of transformation,rebirth, decay, and the tension between destruction and creation. Fiction, often tinged with dystopian undertones, serves as a critical tool in her practice, opening speculative paths for research and reflection.
She holds a degree in Architecture from the Polytechnic University of Madrid (ETSAM) and the Technische Universität Berlin (TU Berlin). From 2021 to 2024, she was part of the curatorial team at Medialab in Matadero Madrid, the artistic research labs LAB#01 Sentient Media, LAB#02 The Metabolic Sublime, and LAB#03 Synthetic Minds. In 2024, she collaborated with TBA21–Thyssen-Bornemisza Art Contemporary and the Museum of Altamira on an artistic research project focused on non-human temporalities and cultural landscapes.
Her work has been exhibited at the Kimma Biennale (2026) and at venues including Funkhaus Vienna (2025), Teatros del Canal (2024), Madrid Design Festival (2025), Mayrit Biennial (2024) and the Sala de Arte Joven of the Community of Madrid (2025) among others. She has completed artist residencies such as Matadero Madrid, Never At Home (Funkhaus, Vienna), Pluto (Valencia), and Organismo (TBA21, Madrid).
Rocabert won the first edition of the AD Creators Awards in 2024, received a mention at the COAM Awards 2025 in the Ephemeral Architecture category, and was a finalist at the 2026 Casa de la Arquitectura Awards.
Madrid, Spain
All rights reserved, 2024.
Curriculum Vitae Uppon Request
E-mail elenarocabert@gmail.com
Elena Rocabert (Madrid) practices at the intersection of art and architecture. Her work, which takes form in painting, sculptural production and spatial intervention, centers on material experimentation to explore speculative fictions and cycles of transformation, rebirth, decay, and the tension between destruction and creation. Fiction, often tinged with dystopian undertones, serves as a critical tool in her practice, opening speculative paths for research and reflection.
She holds a degree in Architecture from the Polytechnic University of Madrid (ETSAM) and the Technische Universität Berlin (TU Berlin). From 2021 to 2024, she was part of the curatorial team at Medialab in Matadero Madrid. In 2024, she collaborated with TBA21–Thyssen-Bornemisza Art Contemporary and the Museum of Altamira on an artistic research project focused on non-human temporalities and cultural landscapes.
Her work has been exhibited at the Kimma Biennale (2026) and at venues including Funkhaus Vienna (2025), Teatros del Canal (2024), Madrid Design Festival (2025), Mayrit Biennial (2024) and the Sala de Arte Joven of the Community of Madrid (2025) among others. She has completed artist residencies such as Matadero Madrid, Never At Home (Funkhaus, Vienna), Pluto (Valencia), and Organismo (TBA21, Madrid).
Rocabert won the first edition of the AD Creators Awards in 2024, received a mention at the COAM Awards 2025 in the Ephemeral Architecture category, and was a finalist at the 2026 Casa de la Arquitectura Awards.