Madrid, Spain 2023
(Fabric, ropes and metal hoops)
6Wx3Hm
For Gabriel For Sach
Photo by Rebeca Sayago
Model Ana Rujas
This sculptural installation is designed to encapsulate a space within a space, engaging with architectural elements, weight distribution, and the curves formed by a sewn 3-meter textile. Its form draws inspiration from the natural elegance of lilies, reimagining the flower in a striking faux-black rendition. This creation is an integral component of a series of sculptures that ingeniously employ movement to transform their shapes.
“As the biologist Raoul Francé once proposed, ‘Plants move their bodies with the same freedom, ease, and grace as the most skilled animal or human, and the only reason we fail to notice this is because they do so at a much slower pace than humans. (…) People believe that plants neither move nor feel because they do not take the time to observe them.’ The author pointed out that plants possess intentionality and ‘can stretch or explore towards what they desire, in ways as mysterious as those found in the most fantastical novel.’”
Madrid, Spain 2023
(Fabric, ropes and metal hoops)
6Wx3Hm
For Gabriel For Sach
Photo by Rebeca Sayago
Model Ana Rujas
This sculptural installation is designed to encapsulate a space within a space, engaging with architectural elements, weight distribution, and the curves formed by a sewn 3-meter textile. Its form draws inspiration from the natural elegance of lilies, reimagining the flower in a striking faux-black rendition. This creation is an integral component of a series of sculptures that ingeniously employ movement to transform their shapes.
“As the biologist Raoul Francé once proposed, ‘Plants move their bodies with the same freedom, ease, and grace as the most skilled animal or human, and the only reason we fail to notice this is because they do so at a much slower pace than humans. (…) People believe that plants neither move nor feel because they do not take the time to observe them.’ The author pointed out that plants possess intentionality and ‘can stretch or explore towards what they desire, in ways as mysterious as those found in the most fantastical novel.’”
Madrid, Spain
All rights reserved, 2024.
Curriculum Vitae Uppon Request
E-mail elenarocabert@gmail.com
Elena Rocabert (Madrid) operates at the crossroads of art and architecture. Her recent work focuses on sculptural production and scenography, employing these mediums to weave narratives and processes around cycles, rebirth, and the paradoxes of destruction and creation. In her creations, Rocabert employs fiction with a vision leaning toward the dystopian and post-natural, as a critique of contemporary society. She is particularly captivated by the interplay of social ecologies and material exploration, dedicated to revealing the invisible elements within all narratives.
Currently, she is developing an artistic research initiative in collaboration with Thyssen Bornemissa TBA21 and the Altamira Museum and Research Center. Intrigued by the profound temporal dimensions embo-died within this nature-cultural nexus, probing beyond human-centric viewpoints to embrace more-than-human perspectives.
She is also a lecturer for the Experimentation module in the Master's program in Textile Design and New Materials at IED.
Rocabert completed her studies in architecture at the Polytechnic University of Madrid (ETSAM) in 2019. She collaborated with art studios in Berlin such as Tomás Saraceno in 2017 for the exhibition On Air at Palais de Tokyo and spent two years as part of the design and art production team for Olafur Eliasson, working on exhibitions like Symbiotic Seeing at Kunsthaus Zurich and Sometimes the River is the Bridge at the Museum of Contemporary Art Tokyo.
Between 2021 and 2024, she was part of the curatorial team at Matadero Madrid.
Madrid, Spain
All rights reserved, 2024.
Curriculum Vitae Uppon Request
E-mail elenarocabert@gmail.com
Elena Rocabert (Madrid) operates at the crossroads of art and architecture. Her recent work focuses on sculptural production and scenography, employing these mediums to weave narratives and processes around cycles, rebirth, and the paradoxes of destruction and creation. In her creations, Rocabert employs fiction with a vision leaning toward the dystopian and post-natural, as a critique of contemporary society. She is particularly captivated by the interplay of social ecologies and material exploration, dedicated to revealing the invisible elements within all narratives.
Currently, she is developing an artistic research initiative in collaboration with Thyssen Bornemissa TBA21 and the Altamira Museum and Research Center. Intrigued by the profound temporal dimensions embo-died within this nature-cultural nexus, probing beyond human-centric viewpoints to embrace more-than-human perspectives.
She is also a lecturer for the Experimentation module in the Master's program in Textile Design and New Materials at IED.
Rocabert completed her studies in architecture at the Polytechnic University of Madrid (ETSAM) in 2019. She collaborated with art studios in Berlin such as Tomás Saraceno in 2017 for the exhibition On Air at Palais de Tokyo and spent two years as part of the design and art production team for Olafur Eliasson, working on exhibitions like Symbiotic Seeing at Kunsthaus Zurich and Sometimes the River is the Bridge at the Museum of Contemporary Art Tokyo.
Between 2021 and 2024, she was part of the curatorial team at Matadero Madrid.